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Nakon pedeset i pet koncerata u kojima je mogla uživati malobrojna publika uživo, ali zato brojni disperzirani slušatelji online, Zagrebački solisti posljednjeg dana lipnja zaokružili su prvu sezonu koncertne dvorane Hrvatski dom Split.

Zagrebački solisti tijekom pandemijskog zatišja dobro su napunili baterije, barem od intenzivnih javnih koncerata, jer energičan nastup i program dokazuju da ansambl koji se bliži sedmom desetljeću djelovanja nije odmarao.

Iako su djela s programa stilski i „rođenjem” raznolika, povezuje ih igra tenzijama i borbenost svojstvena reli utrkama uz mjestimično „servisiranje” eteričnim ugođajima ili plesnim tempima nježnih dinamika.

Početak s Gordanom Tudorom

Prvim dijelom koncerta dominirala su djela splitskih suvremenih skladatelja koji je otvorio „Concerto scosso” Gordana Tudora praizveden 18. travnja 2021. u sklopu svečanog otvorenja 31. Muzičkog biennala Zagreb.

Uvijek aktualan skladatelj i saksofonist i ovoga je puta nišanio srž socijalnih zbivanja.

„Potreseni koncert” klasičnog oblika u tri dijela inspiriran je razornim potresom u Sisačko-moslavačkoj županiji te je svojevrsna počast žrtvama lišena patetike.

Prvi dio je stresan i užurban, drugi donosi baladni ugođaj polaganih kretnji glazbenih ploha koje mjestimično odaju dojam kao da ih netko gura, dok treći dio u obliku klasičnog ronda odiše borbenošću i potragom za rješenjem situacije koja završava iznenadno, bez jasnog zaključka o ishodu.

Simbolično ili slučajno uslijedila je „Đavolova kuća” Luigia Boccherinija. Ova trostavačna „Simfonija u d-molu br. 4, op. 12” kao da oslikava borbu dobra i zla u koloritu chiaroscuro dinamika i tempa koji se izmjenjuju unutar svakog stavka.

Eterični smiraj kratkoročno donosi „Allegro” iz „Dva stavka za gudače” Frane Paraća skladana na poticaj Zagrebačkih solista u povodu njihove 65. obljetnice.

Umjetnički put ovog splitskog skladatelja i Zagrebačkih solista isprepliće se gotovo četrdeset godina počevši od osamdesetih godina prošlog stoljeća i „Muzike za gudače”.

Već drugi stavak, „Allegro deciso”, prerasta u užurbano, hektično ozračje nastavljajući dramatičnu okosnicu programa. Romantizirana završnica uslijedila je uz besprijekorno izrađen skladateljski dragulj u pet stavaka, „Serenadu za gudače u E-duru, op. 22” Antonína Dvořaka.

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Nakon pedeset i pet koncerata u kojima je mogla uživati malobrojna publika uživo, ali zato brojni disperzirani slušatelji online, Zagrebački solisti posljednjeg dana lipnja zaokružili su prvu sezonu koncertne dvorane Hrvatski dom Split.

Zagrebački solisti tijekom pandemijskog zatišja dobro su napunili baterije, barem od intenzivnih javnih koncerata, jer energičan nastup i program dokazuju da ansambl koji se bliži sedmom desetljeću djelovanja nije odmarao.

Iako su djela s programa stilski i „rođenjem” raznolika, povezuje ih igra tenzijama i borbenost svojstvena reli utrkama uz mjestimično „servisiranje” eteričnim ugođajima ili plesnim tempima nježnih dinamika.

Početak s Gordanom Tudorom

Prvim dijelom koncerta dominirala su djela splitskih suvremenih skladatelja koji je otvorio „Concerto scosso” Gordana Tudora praizveden 18. travnja 2021. u sklopu svečanog otvorenja 31. Muzičkog biennala Zagreb.

Uvijek aktualan skladatelj i saksofonist i ovoga je puta nišanio srž socijalnih zbivanja.

„Potreseni koncert” klasičnog oblika u tri dijela inspiriran je razornim potresom u Sisačko-moslavačkoj županiji te je svojevrsna počast žrtvama lišena patetike.

Prvi dio je stresan i užurban, drugi donosi baladni ugođaj polaganih kretnji glazbenih ploha koje mjestimično odaju dojam kao da ih netko gura, dok treći dio u obliku klasičnog ronda odiše borbenošću i potragom za rješenjem situacije koja završava iznenadno, bez jasnog zaključka o ishodu.

Simbolično ili slučajno uslijedila je „Đavolova kuća” Luigia Boccherinija. Ova trostavačna „Simfonija u d-molu br. 4, op. 12” kao da oslikava borbu dobra i zla u koloritu chiaroscuro dinamika i tempa koji se izmjenjuju unutar svakog stavka.

Eterični smiraj kratkoročno donosi „Allegro” iz „Dva stavka za gudače” Frane Paraća skladana na poticaj Zagrebačkih solista u povodu njihove 65. obljetnice.

Umjetnički put ovog splitskog skladatelja i Zagrebačkih solista isprepliće se gotovo četrdeset godina počevši od osamdesetih godina prošlog stoljeća i „Muzike za gudače”.

Već drugi stavak, „Allegro deciso”, prerasta u užurbano, hektično ozračje nastavljajući dramatičnu okosnicu programa. Romantizirana završnica uslijedila je uz besprijekorno izrađen skladateljski dragulj u pet stavaka, „Serenadu za gudače u E-duru, op. 22” Antonína Dvořaka.

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Paun Paunović/Cropix
Paun Paunović/Cropix
Zagrebački su solisti uoci koncerta u Hrvatskom domu nastupali i na otvorenoj sceni u Marmontovoj ulici u Splitu
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GlazbaENERGIČAN NASTUP

Zagrebački solisti zatvorili prvu sezonu u Hrvatskom domu Split i možemo vam reći: ‘starci‘ su još puni force!

Piše Karmen Širović
2. srpnja 2021. - 15:03
Zagrebački su solisti uoci koncerta u Hrvatskom domu nastupali i na otvorenoj sceni u Marmontovoj ulici u SplituPaun Paunović/Cropix

Nakon pedeset i pet koncerata u kojima je mogla uživati malobrojna publika uživo, ali zato brojni disperzirani slušatelji online, Zagrebački solisti posljednjeg dana lipnja zaokružili su prvu sezonu koncertne dvorane Hrvatski dom Split.

Zagrebački solisti tijekom pandemijskog zatišja dobro su napunili baterije, barem od intenzivnih javnih koncerata, jer energičan nastup i program dokazuju da ansambl koji se bliži sedmom desetljeću djelovanja nije odmarao.

Iako su djela s programa stilski i „rođenjem” raznolika, povezuje ih igra tenzijama i borbenost svojstvena reli utrkama uz mjestimično „servisiranje” eteričnim ugođajima ili plesnim tempima nježnih dinamika.

Početak s Gordanom Tudorom

Prvim dijelom koncerta dominirala su djela splitskih suvremenih skladatelja koji j...

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19. svibanj 2024 23:26